..v wo.j. cieows lives & works in Ohròn:wakon/Tkaronto.
a multi-discplinary artist, they are studying political science & multimedia at mcmaster university. while in their mortal coil, they are interested in the poetic form and its role in struggle, and how it can be stretched in medium and beyond conventional narrative. a winter tangerine alum, their work can be found as part of the SFPL readers' series and hayden's ferry review.
v wojciechowska
frederic jameson writes, “utopia is not a representation but an operation calculated to disclose the limits of our own imagination of the future, the lines beyond which we do not seem able to go in imagining changes in our own society and world (except in the direction of dystopia and catastrophe).”

---------------------------- is a living consideration of mutiny, information, interrelation and their ties to technology and the cyber/self.

with the emergence of near-totalizing global capitalism, it grows increasingly difficult to imagine a different world outside of autonomous pockets or certain nation-projects. simultaneously, state power stretches into every facet of our lives, 'cyber' and 'real' to surveill and suppress. the cyber-self wrests w itself. the pandemic decidedly made dominant the virtual aspect of this contradiction. the stretch to imagine a self w/o its digital shadow feels a lot like the stretch to imagine the world beyond capitalism.

'utopia' is also emergence: that which we refuse, that which we cannot yet name (except by what we refuse?), the new gestating in the old. in pointing to what harms and how is at least half an intimation of what could be. simultaneously, "to see things as they really are, you must imagine them for what they might be" (derrick a. bell) - it is that grasping which unfolds here.

this work was made possible by my time at factory media centre thru young canada works.
orbis in vitro
1a. hi! give me a few minutes to load!
best viewed on a laptop full screen at 100% zoom :~)
1b. many elements are interactive --> click thru to access source information, resources, and more!
can we wrest ownership from systems that own? in the broad nets of ownership, is the creation of sustinable autonomous networks necessary? or even possible?
another world
is possible
- simone browne
"I can remember driving my Austin Allegro - don’t laugh! - down Edgeway Rd...and the song that I will always remember on that sunny hot day in the 80s was 'Everyone Loves the Sunshine' by Roy Ayers...I wanted to savour that moment because I didn’t know when I was going to hear it again, and I think that’s what pirate radio did.”
- Angie Greaves
to watch from below -
--> mass produced technologies resisting the surveillance hierarchy; "bringing cameras from the lamp posts and ceilings, down to eye-level, for human-centered recordings of personal experience"
"Dark Study is an experimental program centered on art..takes up the work that the university prevents through regulation, intellectual property ownership, and massive debt...What is studied, and who is allowed to study: these parameters silently thread their way into the fabric of the university system...Working online allows for a return to the simplicity of deliberating about intention, method, material, and subject." -->
- steve mann
------ the 1980s saw a resurgence of outlawed 'pirate' radio stations, broadcasting Black music not broadcast on 'legal' radio. it democratized airtime and access to soul, funk, house etc ... launching artists like Massive Attack and breaking the moonopoly of the BBC
monopoly
i. ARPANET (Advanced Research Projects Agency Network), grandmother of the contemporary 'Internet,' has also gone by DARPA (Defense Advanced Research Projects Agency) - an arm of the US Department of Defense responsible for the development of emerging technologies for use by the military.
ii. "ARPA is not only sharing its ARPANET with the military services, it is turning over the technology itself for use in upgrading other military community systems"
iii.
iv.
v.
(UK)
monopoly
Paaper Tiger Television (PTTV) is a non-profit video collective that pioneered grassroots production and distribution of socially critical media content; "PPTV believes that increasing public awareness of the negative influence of mass media and involving people in the process of making media is mandatory for our long-term goal of information equity"
Paper Tiger Television (PTTV)
known for its DIY style, to this day its arrchives contain one of the most comprehensive alternative media collections, "including critical components of the coinciding technological and artistics evolution of public access television, video art, video activism, and media reform.
"We must employ the language of life against the language of a bureaucracy: song instead of shackles, poems instead of police reports."
- ALEC KARAKATSANIS
- ford rowan
--> Patrick Esmond-White examines how the media's manipulation has deflated the power and influence of mass demonstrations. Filmed in Washington DC in front of the Lincoln Memorial, in the same spot that hosted one of most influential and inspiring mass demonstrations for peace and civil rights in 1963, Esmond-White compares the march of 1963 to marches of the present. He believes that the power of the demonstration as a political and social weapon has been defused through police regulation and media’s portrayal the events; journalist frame demonstrations in a way that simplifies or leaves out the issues they’re based on and portray demonstrators as unmotivated or unfocused. With the issues unspoken and the participants pacified, this media domestication creates an inaccurate and un-empowered viewpoint of American history and activism.
3 years in the making! the Digital Defense Playbook by ODB provides community tools for reclaiming data
reading list
Race After Technology: Abolitionist Tools for the New Jim Code
Ruha Benjamin
Dark Matters: On the Surveillance of Blackness
Simone Browne
Algorithms of Oppression: How Search Engines Reinforce Racism
Safiya Umoja Noble
The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power
Shoshana Zuboff
Carceral Capitalism
Jackie Wang
Surveillance Valley: The Secret Military History of the Internet
Yasha Levine
Masters of the Airwaves: The Rise & Rise of Underground Radio
Dave VJ & Lindsay Wesker
click title to buy - click author to listen!
to the archives!
"the weaponization of time as an instrument of social control...historian Alex Lichenstein writes that prison life in the late 19th century and early 20th century was characterized by hard labour, while modern prison life is best described as hard time. while the use of temporal punishment may appear to be more human than physical punishment, "this regime of control is just as cruel insofar as it is a total attack on the subjectivity and psyche of the prisoner. furthermore, the supplanting of a corporeal regime of punishment with a temporal one enables prisons to maintain their moral legitimacy because the damage done by temporal punishment is not legibile in our current framework for understanding harm and pain. this is partly due to the fact that no visible wound is left on the body of the prisoner when time is used as an instrument of torture" - jackie wang
"democracy, then, far from being the form of life of individuals dedicated to their private happiness, is the process of struggle against this privatization, the process of enlarging the public sphere." - rancière
another world
is possible